A better vantage point to appreciate historic buildings

By Connie Zeigler

I spent a recent week on the ninth floor of the newly re-christened Flagstar Bank building at One North Pennsylvania

Connie Zeigler is a resident of Fountain Square who holds a master’s degree in history. She is an architectural historian who operates a green preservation consulting business. C Resources, Inc. offers a variety of writing services as well as historic research, national register nominations and preservation planning.

Connie Zeigler is a resident of Fountain Square who holds a master’s degree in history. She is an architectural historian who operates a green preservation consulting business. C Resources, Inc. offers a variety of writing services as well as historic research, national register nominations and preservation planning.

Street. While I was there, I took time to admire the view of the city from the expansive conference room windows. The familiar buildings that we appreciate, or not, at ground level have a different air about them from 90 feet or so above the sidewalk.

The best thing about being at the level of the tops of many historic buildings is the chance to see the beautiful details that are either not present or covered up by later facades at the ground level.

Many historic buildings, and it would seem few modern ones, display their most elaborate elements of decoration at roof line. Alterations and resultant losses at street level are one reason for this. Especially in the 1950s and 1960s, merchants updated their buildings with sleek new entry-level facades. Luckily for us, they usually left the upper stories alone, and it is here among the rooftops that we can get a feel for how these old buildings originally appeared.

The main reason that building tops are more interesting than building bottoms is that in the early 20th Century, when the city’s builders and architects were just beginning to design these very tall, steel-framed skyscrapers, they expressed their pride in gee gaws along the roofline. They knew that residents would gaze up in wonder at these design exclamations along the tops of the vertical buildings.

The 13-story Flagstar Bank Building has been altered at street level. Sleek 1960s marble now covers the first floors, but Italian-influence limestone details remain above. Take a look at the lion and human heads carved in limestone that form a beltline just below the top stories of this building. How did we miss seeing those?

Down the street, the former Merchants Bank building stands at the corner of Washington and Meridian streets and now houses the Border’s Bookstore. According to the “Encyclopedia of Indianapolis,” this was the city’s first real skyscraper when it was built 17-stories high in 1913 and remained the tallest building in Indianapolis until the completion of the City/County Building in 1962.

Local newspapers talked about the gods’ eye view from the top of this building. Any Olympians gazing over the limestone details at the top of the red-brick building could not have helped but notice the animal heads (they look like raccoons, but my guess is they are bears) in the stone medallions beneath the eave. Looking up from street level on Washington Street, it’s almost impossible to discern these heads.

Many of the most beautiful rooftop embellishments were created out of terra cotta. Some Downtown buildings are veritably dripping with this glazed white icing along their upper stories.

The five-story brick building at 42 East Washington St. is unremarkable until you look down on it from above. Its double shed roof is interesting, sloping both toward the façade and the rear from a central ridge. Even more intriguing is the trace of a former neighboring building’s roof line still visible along  its brick side, although that building is long-gone. And more interesting yet, is the ghost sign, painted just below 42 East’s roof ridge. Faded now until it is almost indecipherable, it refers to a long-ago Indianapolis business, “- – rtig & Kevers.” The Indianapolis City Directories show that Fertig and Kevers were painters and fresco-makers. In 1914 they were located on Capital Avenue, but previously had occupied several other locations. Sometime in the decades-long history of their business they were either located at this address or considered the spot on this building, visible over the roof of the now-gone neighbor, a good one on which to advertise.

A ninth-story window provides a better vantage point to appreciate upper-level architectural details on historic office buildings.

A ninth-story window provides a better vantage point to appreciate upper-level architectural details on historic office buildings.

One door west of the Fertig & Kevers building, the skinny, three-story, nondescript building at 38 E. Washington St. is altered at street level. But perched upon this brown-brick edifice’s roof top are two lovely terra cotta urns, one at each end of a limestone-balustrade on the parapet front. These may be my favorite of the many surprises one can find when looking down on Indianapolis.

Panning to the north, I could see the monumental details on the Soldiers and Sailors Monument from eye level. That monument, dedicated to those who died in the Civil War, but not finished until well into the following century, holds up well against its background of modern skyscrapers.

This skyscraper-scape of the city was marred by only one thing – the disappointment I felt that no amount of craning and stretching could bring into view one of my historically favorite buildings, the When Department Store. Once located at 36 North Pennsylvania St. and known as much for the apocryphal story of how it got its name (“When” is it going to open?) as for its Second-Empire style beauty, the When was demolished a couple dozen years ago. Its absence should serve as a cautionary tale to us. Appreciate the view of our historic buildings while we can, and, if necessary, go to great heights to do so.

Connie Zeigler is president and owner of C. Resources, Inc.  Connie is a writer and a historic preservationist who consults on preservation and greening of historic buildings. She lives in Fountain Square and blogs at INArchitecture on cresourcesinc.blogspot.com.

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